In this improbable love story, Toussaint creates a character who is obsessed with himself: how he does things and all the ways he might have done them, how he thinks, why he thinks the way that he thinks, how he might do or think otherwise. What happens? He takes driving lessons, goes grocery shopping, spends endless hours with an adorable employee of the driving school he attends. And though he is aloof, though caught up in his own actions and in the movement of his own thoughts-he somehow emerges as surprisingly insightful and also very funny. In Toussaint's touching novel, we come to know this character intimately and yet know almost nothing about him. These two extremes, existing together, are at the heart of Toussaint's remarkable style.

Simply, put, Jean-Philippe Toussaint is one of the most original novelists working today, and will almost undoubtedly go down as one of the great comic writers of our era. Toussaint has been likened to some diverse artists (Jim Jarmusch, Samuel Beckett, Nicholson Baker), but perhaps the most apt comparison is to Charlie Chaplin, for a few reasons. 1) Like Chaplin, he turns regular-life situations into comedy by the slightest and subtlest exaggerations; 2) He loves "stills," moments when our attention freezes on some detail of everyday life and it strikes us as ridiculous; 3) His stories move from scene to scene with often only the flimsiest excuse for an over-reaching plot, although what we come away with is not just a patchwork of set pieces but rather a surprising feeling of melancholy. Toussaint's contemporary existentialism is as poignant as it is funny. As the narrator of Toussaint's novel Monsieur says in his closing line: "Life, mere child's play, for Monsieur."